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The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. Some of Kenny Burrell's best early work ! The album catches Kenny in the perfect Blue Note jam session mode of the late 50s - one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. BNJ 61002 Nows the Time, Blue Note BLP 5039, Blue Note BLP 1522 Split Kick, Blue. Download the Art Blakey - Moanin (1958) EAC-FLAC Torrent or choose other Art Blakey. Art Blakey Quintet The Way You Look Tonight, Lous Blues, Blue Note J. Waldorf Lector Vocoder Rapidshare Software. The end result sounds very joyous, tribal, and ceremonial, helped along in that regard by interspersed vocal chants, yelps, howls, and whistles with occasional bursts of straight jazz texture from Byrd or Bryant. Art Blakeys Moanin is a must for any jazz freaks collection It includes three Hard Bop tracks that are immortal and will always make your toes tapping and your fingers snapping. With the exception of Bryant's two compositions, 'Swingin' Kilts' and 'Reflection,' all the tracks were worked out during one long studio session which ran from 11 p.m.
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Holiday for Skins has an even larger drum ensemble than the one that Blakey used for 1956's similar Drum Suite, consisting this time around of three jazz drummers (Philly Joe Jones, Art Taylor, and Blakey himself) and a host of Latin and African percussionists, including Ray Barretto and Sabú Martínez, as well as Donald Byrd on trumpet and Ray Bryant on piano.
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In the mid-'50s he began experimenting with large drum ensembles that slid African and Latin rhythms beneath hard bop horn and piano structures, resulting in a kind of worldbeat jazz hybrid years before the idea of worldbeat became codified as a musical concept. Recorded at the Manhattan Towers, New York on November 9, 1958.Īrt Blakey, who visited Africa several times, has been cited as saying jazz couldn't have happened there, that it could only have happened in America when and where it did, but Blakey was also fully aware of where those polyphonic rhythms and call-and-response patterns that underscore all of jazz came from. Clifford Brown strongly influenced Morgans style, characterized by an aggressive rhythmic attack, long melodic phrases, and a brassy timbre. Art Blakey was a jazz drummer and band leader. He and Benny Golson carry the melodic and solo responsibilities as the only horns in the band. Philly Joe Jones - drums, tympani, chants The title track, Moanin, composed by pianist Bobby Timmons, became the greatest hit of Art Blakeys lengthy career.
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